Yule is the second pattern in The Wheel of the Year Collection.
Yule is a time of celebration, a time to feast on the riches the earth has provided throughout the year and stored against a harsh winter. Yule, originally a twelve-day festival, in modern times occurs on (or around) 21st December and is also known as the Winter Solstice in the Northern Hemisphere. The Holly King is now in the ascendant, and the design of the Yule Shawl reflects his reign.
Yule is a circular loose-fitting cape, knit in the round using an Aran weight yarn for warmth. The relaxed fit caters for a wide range of sizes, and allows plenty of room for arms to move. It has an all-over pattern of branches and holly berries, and an edge reminiscent of the holly leaf. The background to the pattern is garter in the round, and the branches are formed with a combination of slipped stitches, slipped travelling stitches, and knots. The travelling stitches can be worked with or without a cable needle.
Sizes given in the pattern: teen chest size: 70 – 99 cm / 28 – 39 ¾” medium adult chest size: 100 – 125 cm / 40 – 50” large adult chest size: 126 – 150 cm / 50 ½ – 60”
Yarn requirements for the three sizes: teen 750 m / 820 yds medium adult 830 m / 908 yds large adult 950 m / 1,039 yds
Depth of the cape is the same for all sizes, 56 cm / 22 ½”, but may be lengthened (or shortened a little) as described in the instructions.
The sample is shown in Medium Adult size; neck circumference 53 cm / 21 ¼”, length from neck to hem 56 cm / 22 ½”.
This pattern has been thoroughly and professionally tech edited, but has not been test knit except by me. Full pattern support is available by email.
In addition to the pattern instructions, I have produced a photo tutorial for making the knots on the surface and along the edge of the cape.
The Wheel of the Year is an annual cycle of seasonal festivals, observed by a range of modern pagans, marking the year’s chief solar events (solstices and equinoxes) and the midpoints between them. The Wheel of the Year was devised in the mid-20th century to combine the four solar events or quarter days marked by many European peoples, with the four seasonal festivals or cross-quarter days celebrated by Celtic peoples of the British Isles. Different paths of modern Paganism may vary regarding the precise timing of each celebration, based on such distinctions as the lunar phase and geographic hemisphere.
Observing the cycle of the seasons has been important to many people, both ancient and modern. Modern pagan festivals that rely on the Wheel are based to varying degrees on folk traditions, regardless of actual historical pagan practices. Some Wiccans use the term sabbat to refer to each festival.
In many traditions of modern paganism all things are considered to be cyclical, with time as a perpetual cycle of growth and retreat tied to the Sun’s annual death and rebirth. The days that fall on the landmarks of the yearly cycle traditionally mark the beginnings and middles of the four seasons. These eight festivals are the most significant times for community celebrations.
I was inspired to design this series of accessories, in part, by my close proximity to the seasonal cycles of growth (germinating seeds, growing fruit and vegetables, living in a sustainable way) and decay (composting, regrowth). I live a fairly agrarian existence, in the countryside away from urban populations, and I feel the turning of the year keenly.
The designs for this series of shawl and cowl patterns are inspired by the eight Wiccan / Pagan festivals or Sabbats, celebrated at key points in the calendar, plus a ninth design encompassing the whole cycle. I am not a follower of the religious practices but find that the festivals marked in the calendar resonate with me and my connection to the Earth and the landscape in which I live.
The Cycle begins with Samhain, the end of Autumn and the beginning of Winter in the northern hemisphere.
Wheel Image courtesy of CarlCastel, CC0, via Wikimedia Commons
Samhain
The celebration of Autumn’s end. The veil between the worlds is thin at this time, the year is dying.
Samhain (/ˈsɑːwɪn/) is the name of a traditional Gaelic festival held around 1 November. The name and date were adopted by Wiccans for one of their four Greater Sabbats. It closely matches Halloween (31 October) and the two festivals are intertwined. For Wiccans, Samhain is a time to celebrate the lives of those who have passed on, and it often involves paying respect to ancestors, family members, elders of the faith, friends, pets, and other loved ones who have died. Aligned with the contemporary observance of Halloween and Day of the Dead, in some traditions the spirits of the departed are invited to attend the festivities. It is seen as a festival of darkness, which is balanced at the opposite point of the Wheel by the festival of Beltane, which is celebrated as a festival of light and fertility. Many neopagans believe that the veil between this world and the afterlife is at its thinnest point of the year at Samhain, making it easier to communicate with those who have departed.
Some authorities claim the Christian festival of All Hallows Day (All Saints Day) and the preceding evening are appropriations of Samhain by early Christian missionaries to the British Isles.
The Design
My interpretation of Samhain is of simplicity. It can be made as a cowl, using a single precious skein of 4ply/fingering yarn, or as a shawl. It can be knit in any weight of yarn, and can be made as long as you wish. As befits the time of the year, it gives warmth where it is needed. I chose reds and oranges for my samples, as well as a light grey reminiscent of misty autumn days.
Bulky weightDK weightlight fingering/sock weight
More information on the pattern and links to Ravelry and Payhip stores can be found on the pattern page. The pattern was published on 31st October 2024.
The next pattern will be Yule, published on 21st December 2024.
Samhain (pronounced Sa-win, /ˈsɑːwɪn/) is the first of the Celtic/Pagan Sabbats or festivals in the great Wheel of the Year, ever turning. It is the celebration of Autumn’s End occurring on 31 October/1 November. The veil between the worlds is thin at this time, the year is dying.
Samhain is the name of a traditional Gaelic festival held around 1 November. The name and date were adopted by Wiccans for one of their four Greater Sabbats. It closely matches Halloween (31 October) and the two festivals are intertwined. For Wiccans, Samhain is a time to celebrate the lives of those who have passed on, and it often involves paying respect to ancestors, family members, elders of the faith, friends, pets, and other loved ones who have died. Aligned with the contemporary observance of Halloween and Day of the Dead, in some traditions the spirits of the departed are invited to attend the festivities. It is seen as a festival of darkness, which is balanced at the opposite point of the Wheel by the festival of Beltane, which is celebrated as a festival of light and fertility.
Samhain is a time for bonfires, honouring the ancestors, and for contemplation when entering the quiet part of the year. A time when the earth sleeps and humans (and animals) need warmth and shelter. A snug triangular shawl or cowl will keep you warm until the year turns and the earth awakens.
My interpretation of Samhain is of simplicity. It can be made as a cowl, using a single precious skein of 4ply/fingering yarn, or as a shawl. It can be knit in any weight of yarn, and can be made as long as you wish. As befits the time of the year, it gives warmth where it is needed. I chose reds and oranges for my samples, as well as a light grey reminiscent of the mists of Autumn. It can be worn any way you like, casually tied or fastened with a favourite brooch or shawl pin.
It can be knit in any weight yarn, in any type of yarn, in one colour or two. It is a warm double-thickness fabric using an interesting construction, with a simple but effective shape.
This tam pattern is the fifth in a series inspired by the wild flowers commonly referred to as weeds. It features a design based upon the leaves, flowers and seeds of the common thistle. Seen in country verges and on wastelands all over the UK during the summer, thistles add a rich purple to their environment; their nectar feeds bees and butterflies, and their seeds contribute to feeding goldfinches in the autumn.
I have drawn inspiration from the prickly leaves, individual seeds with their tuft of white fluff, and the checker board pattern of the flower heads. Instructions are given for four sizes, small, medium narrow, medium wide, or large. The narrow and wide sizes refer to how full the tam part of the hat is. This tam is roomy and warm.
This pattern features Swiss Darning, aka Duplicate Stitch, to achieve the fluffy seed motifs.
Suggested yarns are: Jamieson’s Shetland Spindrift; 4ply; 100% wool; 116 m/ 127 yds per 25 g ball. The sample shown used 2 balls of 274 Green Mist, and less than 1 ball each of 165 Dusk, 617 Lavender, and 567 Damask. Rowan Kidsilk Haze: lace/2ply; 70% kid mohair, 30% silk; 210 m / 230 yds per 25g / 0.88 oz ball; approx. 30 m / 33 yds in white.
Tools required: A circular needle, 40 cm / 16” (or longer if using magic loop), or a set of dpns, in the following sizes: 2.75 mm [UK/Can size 12, US size 2]. 3.25 mm [UK/Can size 10, US size 3]. Stitch markers, at least 1. Tapestry needle for weaving in ends and Swiss darning. 26 cm/10” or 28 cm / 11” plate for blocking, depending upon the size of hat (optional but highly recommended). This pattern has been tech edited, but not test knit except by me.
Annat Royd is the third in my Yorkshire Collection of shawls and related accessories. It is a huge hug of a shawl, based on the triangular shape and knit in 4ply/fingering yarn. I chose two lovely non-superwash woolly yarns for my samples.
Annat Royd 2-triangle shawl in Birlinn Haar
The first is a straightforward triangular shawl knit in Birlinn 4ply 100% wool yarn, from the beautiful island of Berneray in the Outer Hebrides. It is a robust yarn which is a joy to knit with; it gives great stitch definition, essential for all-over lace patterns such as Annat Royd. I chose the colour Haar, a pale grey flecked with darker strands, perfectly named for the sea mist rolling in from the Atlantic.
The second sample is a three-triangle shawl, which has a square profile. For this shawl, I chose the beautiful Doulton Border Leicester 100% Border Leicester 4ply yarn in the rich purple colourway, Hawnby Hill. I love this yarn, not only for its lovely stitch definition, but because the flock has a no-kill policy, meaning the sheep get to grow old and live out their lives on the farm. This is a shawl to snuggle up with on a cold winter’s evening.
3-triangle shawl in Doulton Border Leicester Hawnby Hill
For over a year now, I have been working on a collection of shawls and related accessories inspired by the Yorkshire countryside in which I live. It has been a magical experience, exploring my surroundings and being enthused by the landscape. The first two shawls in this collection, Harden Moss and Whitley Common, are available now, with more to come.
Harden Moss was inspired by the shapes of reservoirs in the High Peak District of Derbyshire and West Yorkshire. These typically have a distinct wide dam wall at one end gradually narrowing to a point, reflecting the shape of the valley that was flooded to create them. There are many such reservoirs dotted about all over the Peak District, varying in size from a small tarn to an entire rift such as Longdendale, flooded to provide water to local communities. This simple scrunchy garter shawl, worked sideways in a hazy laceweight yarn on very large needles, is quick to work, and the allover pattern of eyelets is easy to memorise. The pattern is available in the Granary Knits Payhip store and on Ravelry.
Whitley Common is a light capelet perfect for a summer wedding shawl. It’s shape is three-quarters-pi, and is covered in a graduated pattern of zigzags which mimics the many becks, streams, and rivulets that cover the heathery landscape. These lacy rivulets culminate in a border of flower motifs to represent the beautiful cotton grass that covers the common in summer. The pattern is available in the Granary Knits Payhip store and on Ravelry.
Today I have published two new free patterns. They are part of my ongoing quest to find useful things to knit from leftover sock yarn. Both can be knit in plain, self-patterning or self-striping yarns, or you can create your own unique stripes from scraps or mini-skein sets.
Fingerless Sock Yarn Mittens
These full mittens can be made in any sock yarn, leftover scraps are ideal for striping or colour blocking. It is written to fit child (8-12yrs) (teen, small adult, medium adult). Finished sizes (palm circumference) 16 (19, 21, 23.5) cm / 6½” (7 ½”, 8 ½”, 9 ½”). The samples shown are all sized for a teen/small adult. The pattern can be easily adapted to fit larger hands.
The mittens are knitted finger-tip to cuff on circular needles/DPNs, and feature a gusseted thumb and a ribbed cuff.
The samples shown were knit in West Yorkshire Spinners Signature 4ply: Fingering/4ply; 400 m / 460 yds in 100 g / 3.53 oz; shown in Zara’s Rainbow (stripes) and Woodland Awakening (variegated); and in Debbie Bliss Rialto Luxury Sock; Fingering/4ply; 400 m / 460 yds in 100 g / 3.53 oz; shown in Coachella.
The pattern features lots of ideas for you to create unique mittens. It has been tech edited but not test knit, except by me.
This beanie can be made in any size, from newborn to adult, and is knit in the round from the crown down to the brim. There are two options for the crown: knotted I-cord or a plain flat circle; and two options for the brim, either rolled or ribbed.
The samples shown were knit in West Yorkshire Spinners Signature 4ply shown in Zara’s Rainbow (stripes); Regia 4-fadig in a discontinued self-patterning shade; A Little Bit Sheepish graduated hand-dyed mini-skein set in shades of purple.
Sizes given are for Newborn, 6 mths, Toddler/Child, Teen, Adult, Large Adult (head circumference 35 cm / 14”, 40 cm / 16”, 44.5 cm / 18”, 52 cm / 20 ¾”, 54 cm / 21 ½”, 59 cm / 22 ½”.
The pattern features lots of ideas for you to create unique beanies. It has been tech edited but not test knit, except by me.
Inspiration for a design can strike at any time! I was watching the TV series Bones one day, when the background to the current scene suddenly struck me as more interesting than the dialogue. Two characters were holding a conversation in front of a trellis room divider. Luckily, I was watching a DVD and could pause and rewind so that I could start scribbling ideas.
And just like that, the Trellis pattern was born. Trellis is a warm and roomy tam, featuring a radiating all-over pattern of curves and straight lines. It is knit in two colours of Jamieson’s Spindrift 4ply yarn (shown here in Sky and Purple Heather).
Papaver rhoeasis the botanical name for this weed; common names for it include common poppy, corn poppy, corn rose, field poppy, Flanders poppy, or red poppy. It is a notable annual agricultural weed, appearing in cultivated fields during the summer all over Europe.
By Franz Eugen Köhler, Köhler’s Medizinal-Pflanzen – https://commons.wikimedia.org/w/index.php?curid=255420
The leaves, stems and bud coverings are a blue-green, the four-petalled flowers are a rich scarlet with a purple base to each petal, and the seed capsule is an intriguing shape, a bulbous cup with a little cap to keep the rain away from the seeds and to help distribute them in the wind..
The
field poppy produces an enormous amount of pollen, one of the highest
pollen-producing plants in the UK, and is therefore an important food
source for pollen-collecting/consuming insects, such
as many species of beetle.
As far as human consumption goes, the poppy’s black seeds are
edible, and can be eaten either on their own or as an ingredient in
bread; oil made from the seed is highly regarded in France. The
petals contain a red dye which is used in some medicines and wines;
in traditional folk medicine, it was used for gout, aches, and pains.
The petals were used to create a syrup that was fed to children to
help them sleep, although there is no opioid content.
My design for this tam ignores the beautiful but overly-familiar flower and instead uses the nodding flower buds, the seed capsules and the tiny black seeds. The wheel of the tam is a representation of the cap sheltering the seeds in their capsule. The seeds can be worked as just colour, or you can add small black beads making this an unusual and interesting tam.
Autumn Leaves celebrates the turning of the seasons, the end of summer in a blaze of glorious colour. It is an elongated crescent shawl knit in a fingering/4ply yarn with a long(ish) colour change. The edging features a simple repeating pattern of stylised drooping leaves and is worked first; the body of the crescent is then filled in with scrunchy garter stitch using short row shaping to achieve the crescent shape. Beading on the edge section, which is optional, emphasises the leaf shaping.
The Autumnal sample shown was knitted in Rowan Sock; singles fingering/4ply; 75% wool 25% nylon; 400 m/ 437 yds per 100g / 3.53 oz ball; 1 ball; shade 00001 Jewel. As yardage is very tight, you may need 2 balls. A second, unbeaded, sample is also shown, which used Schoppel-wolle Zauberball in 2244 Zauberwald; this gave a very light and open fabric.
The pattern consists of 9 small charts for the edging, and suggestions are given for customising the shawl to different sizes.
The beads are optional; the sample shown used 500 4mm beads in #562 Gold from Debbie Abrahams.
