Autumn Leaves celebrates the turning of the seasons, the end of summer in a blaze of glorious colour. It is an elongated crescent shawl knit in a fingering/4ply yarn with a long(ish) colour change. The edging features a simple repeating pattern of stylised drooping leaves and is worked first; the body of the crescent is then filled in with scrunchy garter stitch using short row shaping to achieve the crescent shape. Beading on the edge section, which is optional, emphasises the leaf shaping.
The Autumnal sample shown was knitted in Rowan Sock; singles fingering/4ply; 75% wool 25% nylon; 400 m/ 437 yds per 100g / 3.53 oz ball; 1 ball; shade 00001 Jewel. As yardage is very tight, you may need 2 balls. A second, unbeaded, sample is also shown, which used Schoppel-wolle Zauberball in 2244 Zauberwald; this gave a very light and open fabric.
The pattern consists of 9 small charts for the edging, and suggestions are given for customising the shawl to different sizes.
The beads are optional; the sample shown used 500 4mm beads in #562 Gold from Debbie Abrahams.
Wild oats, (genus Avena),
are a variety of tufted annual grasses of the family Poaceae, native
to Eurasia and Africa. Wild oats are sometimes cut for hay, and young
plants provide forage for grazing animals. All species have edible
seeds, and domesticated oats (Avena sativa) are an important
cereal crop in temperate climates around the world; several other
species are locally important food crops. A number of wild oat
species are considered weeds in agricultural fields and can be
difficult to eradicate.
By Alvesgaspar – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=10353691
Wild
oats are erect grasses with long flat linear leaves. The
inflorescences are typically large and loose and bear minute bisexual
flowers. The ovary is characteristically hairy, and some species
feature long awns (bristles) on the seeds.
One
of the best-known species is the common wild oat (A. fatua),
which has become a common field and roadside weed; originally native
to Europe and C and SW Asia, it has now spread throughout temperate
regions of the world. It grows in small tufts about 0.9 to 1.2 metres
(3 to 4 feet) tall. Mature spikelets are bell-shaped, with bent
bristle-like projections.
Wild oats grow with abandon all over
my garden, popping up in borders and vegetable beds alike. I love
seeing their feathery heads dancing in a summer breeze. Some heads
are long and narrow, others, where the individual seeds within the
seed head have started to separate and mature, are wide and
bell-shaped.
By Kurt Stueber – www.biolib.de, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=6294
As a food for humans, the seeds are
particularly valuable. The seed ripens in the latter half of summer
and, when harvested and dried, can be stored for several years. It
has a floury texture and a mild, creamy flavour. It can be
used as a staple food crop in either savoury or sweet dishes.
The seed can be cooked whole, though it is more commonly ground into
a flour and used as a cereal in all the ways that oats are
used, especially as a porridge but also to make biscuits,
sourdough bread, etc. The seed can also be sprouted and eaten raw or
cooked in salads, stews, etc. Roasted, the seed can be used as
a coffee substitute.
Birds love the seeds once they are
ripe, my chickens can strip a plant of its seedheads in seconds.
Medicinally, it is considered a diuretic. Cosmetically, a meal made from oats can be added to bathwater or used as a facial scrub. The straw has a wide range of uses such as for bio-mass, fibre, mulch, paper-making and thatching.
My design for this tam uses several elements of the wild oat plant; the three-part seedhead on its drooping stem, the leaves, and the opening head revealing the three seeds themselves. The interlocking elements create another fortuitous motif, heart shapes in different sizes.
This is the second in my collection of tam patterns based around the theme of Weeds, this pattern uses three colours of Jamieson’s Spindrift yarn to create a distinctive hat.
Teasels growing in my garden
The teasel is a fascinating plant, very well
guarded by sharp spikes along stem and leaf margins, with a mass of
tiny lavender-coloured flowers bursting through the seed head in
bands, starting with the centre of the
flower head and then moving in waves down to the base and up to the
tip. They may be
little flowers but
they nevertheless provide abundant nectar
for bees, ants, and hoverflies, and once finished flowering the
goldfinches move in to feast on the seeds.
Although the teasel does not generally provide food for humans, the young leaves are edible although one must take great care to avoid the spiny, stout hairs. Teasel leaves can be consumed raw, cooked or added to a smoothie. The root can be used in a tea or for making vinegar or tinctures. The root has many health benefits as it contains inulin and a chemical that destroys the itch mite causing scabies.
It
does, also,
have an important place in the history of fibre. Dipsacus
fullonum
or
Fuller’s teasel,
was widely used in textile processing, providing a natural comb for
cleaning, aligning and raising the nap on fabrics, particularly wool.
It differs from the wild type in having stouter, somewhat recurved
spines on the seed heads. The dried flower heads were attached to
spindles, wheels, or cylinders, sometimes called teasel frames, to
raise the nap on fabrics (or tease the fibres). By the 20th century,
teasels had been largely replaced by metal cards, which can be made
uniformly and do not require constant replacement as the teasel heads
wear. However, some people who weave wool still prefer to use teasels
for raising the nap, claiming that the result is better; in
particular, if a teasel meets serious resistance in the fabric, it
will break, whereas a metal tool will rip the cloth.
The brown, oval, spiky seed heads of
the teasel are a familiar sight in all kinds of habitats, from
grassland to waste ground, even cultivated in gardens for their use
as an ornament.
The the design for this tam was inspired by the spiny bracts that guard the seed head, and the overall pattern of tiny flattened triangles seen when you look deep into the seed head.
Weeds
are just plants that are growing in the wrong place. They may have
been self seeded, blown by the wind or dropped
by passing birds. We root them out and throw them on the compost
heap, or burn them, or smother them in toxic chemicals; we rarely
look at them and see their beauty, we disregard their utility as food
or medicine for either ourselves or for animals or insects; they are
not worthy of study or preservation.
There are so many weeds that I admire, my so-called vegetable garden is full of them. It is true, not everything can find a place in a garden, but everything has something to offer the earth. Take stinging nettles, for instance; they sting you if you are unwary, they grow where you don’t want them, and scurry underground to pop up to form large clumps if you let them. But they are an enormously useful plant. They are a host plant for butterflies such as the Small Tortoiseshell and Peacock, and for ladybirds, which lay their eggs on nettle leaves to provide food for their larvae. Their seeds are a nutritious food source for wild birds, shrews, field mice. They provide nitrogen to enrich the compost heap, their leaves and stems can be steeped in water to provide “nettle tea”, a valuable liquid feed for vegetables and fruit bushes. They can be used to feed animals and humans; they contain a lot of minerals and vitamins: they are high in magnesium, calcium, iron and vitamin A, as well as protein, making them a superfood for humans and livestock. The leaves can be used for teas, pesto, soup and as a vegetable, cooked like spinach. The leaves can be dried and crumbled into feed for chickens to give a vitamin boost during the winter months. And beyond all of that, the stems can be left to dry where they stand during the winter, and in the spring, the retted fibres can be processed into a yarn not unlike hemp. Not so useless after all!
I have chosen five weeds as inspiration for this collection of tam patterns: Shepherd’s Purse, Wild Oats, Poppy, Teasel, and Thistle. All grow very well in my garden in West Yorkshire, UK; some I leave for birds to eat the seeds (goldfinches are particularly fond of teasel and thistle seeds), some seeds I collect to scatter in wild places (poppies are a delightful and welcome sight growing in unlikely places), some I root out when their work as foodsource has completed, and they become valuable compost additions.
Everything has a place and a purpose, even weeds.
Shepherd’s Purse
The first weed I have chosen for the collection is the Shepherd’s Purse, Capsella bursa-pastoris. It grows almost unnoticed in my vegetable beds, and then suddenly everywhere there are stems covered in seed capsules. I collected and pressed a number of the stems so that I would have a permanent design resource. The result is the tam pattern based upon the seed capsules, but also utilising the tiny star-like flowers and the corona of leaves typical of the plant.
Harden Moss is the second in my Yorkshire Collection of patterns for shawls and other accessories. I am deeply inspired by the landscape around my home, and this collection of knitting patterns is my way of describing and celebrating the beautiful Yorkshire landscape that surrounds me. The Collection consists of shawls, wraps, and even a cowl, inspired by the rich textures and colours of the area around my home. The patterns vary in difficulty from beginner to more experienced knitter, but none, I hope, is too complicated. They are designed with chart knitting in mind, one pattern at least consists of one very large chart, but I have provided computer-generated written instructions as well.
Sometimes the shape of an area has inspired the shawl design, sometimes the movement of the air over the landscape. Harden Moss was inspired by the shapes of reservoirs in the High Peak District of Derbyshire and West Yorkshire. These typically have a distinct wide dam wall at one end then gradually narrow, reflecting the shape of the valley that was flooded to create them. There are many such reservoirs dotted about all over the Peak District, varying in size from a small tarn to an entire rift such as Longdendale, flooded to provide water to local communities.
This shawl is knit in a lofty laceweight yarn on large needles, making it a quick but satisfying project. I used Rowan Kidsilk Haze, but there are many other similar yarns that will give you excellent results. Consult Yarnsub for a list of these. As always, when substituting yarn, be sure to knit a swatch to check that you are able to get the right gauge for the pattern.
Rowan Kidsilk Haze, samples in Ghost (left) and Alhambra (right)
This pattern has been tech edited, but not test knit except by me. Full pattern support is available by emailing me.
This tam pattern features the beautiful leaf colours of the European Beech tree in Autumn. While the lower branches are still green, the middle and upper tiers graduate through yellow, russets, and rich red shades. Instructions are given for four sizes, to fit small, medium narrow, medium wide, or large. The narrow and wide sizes refer to how full the tam part of the hat is. The hat, being a tam, is roomy and warm.
Suggested yarn: Jamieson’s Shetland Spindrift; 4ply; 100% wool; 105 m/ 115 yds per 25 g / 0.88 oz ball. Sample shown uses 8 colours, no more than 45 m / 50 yds of any one colour:
Dark green 147 Moss Pale green 998 Autumn Pale yellow 230 Yellow Ochre Dark yellow 1190 Burnt Umber Orange 1200 Nutmeg Russet 261 Paprika Red 187 Sunrise Dark Brown 235 Grouse
Sizes: Small, medium narrow, medium wide, large, to fit head circumferences 54 cm (58 cm, 58 cm, 62 cm) / approx. 21 ¼” (23”, 23”, 24 ½”) at the brim. Finished sizes at the brim, unstretched, 45 cm (49 cm, 49 cm, 52 cm) / approx. 17 ¾” (19 ¼”, 19 ¼”, 20 ½”).
This tam features some of the myriad patterns seen in the feathers of the female pheasant. Often overlooked because of their shy nature and outshone by the more flamboyant colouring of the male, these beautiful pheasants inhabit my garden all year round and are a constant source of delight and inspiration. Instructions are given for four sizes, to fit small, medium narrow, medium wide, or large. The narrow and wide sizes refer to how full the tam part of the hat is. This tam is roomy and warm.
Suggested yarn: Jamieson’s Shetland Spindrift; 4ply; 100% wool; 105 m/ 115 yds per 25 g / 0.88 oz ball: 1 or 2 balls of each colour, sample shown in 106 Mooskit and 246 Wren, depending upon size.
Sizes: Small, medium narrow, medium wide, large, to fit head circumferences 54 cm (58 cm, 58 cm, 62 cm) / approx. 21 ¼” (23”, 23”, 24 ½”) at the brim. Finished sizes at the brim, unstretched, 45 cm (49 cm, 49 cm, 52 cm) / approx. 17 ¾” (19 ¼”, 19 ¼”, 20 ½”).
Whitley Common is the first in my Yorkshire Collection of patterns for shawls and other accessory. I am deeply inspired by the landscape around my home, and this collection of knitting patterns is my way of describing and celebrating the beautiful Yorkshire landscape that surrounds me. It consists of shawls, wraps, and even a cowl, inspired by the rich textures and colours of the area around my home. The patterns vary in difficulty from beginner to more experienced knitter, but none, I hope, is too complicated. They are designed with chart knitting in mind, one pattern at least consists of one very large chart, but I have provided computer-generated written instructions as well.
Sometimes the shape of an area has inspired the shawl design, sometimes the movement of the air over the landscape. Whitley Common was inspired by the high moors around my home, with their dry stone walls, streams, becks and dykes, and their distinctive heather and cottongrass landscape. This three-quarters pi shawl is knit in laceweight yarn; it looks especially good in hand dyed laceweight, such as the Ripplescraft Suilven shown in the brown variegated sample. The white sample is a luxurious undyed silk and linen mix, making it a beautiful wedding capelet.
For the two samples shown, I used:Solstice Yarns Persuasion Lace; 65% linen 35% silk; 800 m/ 875 yds per 100g / 3.53 oz skein; 1 skein in natural; or Ripplescraft Suilven Lace; 60% merino, 20% silk, 20% yak; 800 m/ 875 yds per 100g / 3.53 oz skein; 1 skein in Lochan in the Hills colourway.
Solstice Yarns Persuasion Lace in Natural
Ripplescraft Suilven Lace in Lochan in the Hills
This pattern has been tech edited, but not test knit except by me. Full pattern support is available by emailing me.
Whitley Common can be knit in any lace weight yarn. The Solstice Yarns Persuasion Lace is a robust yarn which keeps its shape beautifully once blocked; the Ripplescraft variegated yarn, being predominantly wool, will contract slightly once blocked and dry. Both yarns have exceptional drape and lustre. As always, when substituting yarn, be sure to knit a swatch to check that you are able to get the right gauge for the pattern. Suggested yarn substitutes can be found at https://yarnsub.com/
My first design release of the year is the easiest of easy shawls. Knit from any sock yarn you have in your stash, this scrunchy garter shawl is a perfect go-anywhere knit. Use up leftover scraps of yarn for a unique stripey look; or colour block two or more yarns. It can be made from any amount of yarn; the sample shown was knit with 100g of self patterning sock yarn from West Yorkshire Spinners, but you could use any fingering/4ply yarn.
The shawl features an open top edge and a simple stretchy cast off. This is the perfect go-anywhere knit, requires no special techniques, and will look great in any yarn.
We have some lovely stitch markers available at the moment, whether your taste runs to charms, gemstones, or a mixture of both. I am always on the look out for new beads and gemstones; if you don’t see exactly what you want in the Granary Knits store, there is a good chance I can find it for you, just email me. Here are a few of my new markers, available in both crochet and knitting .
Gemstone beads are my favourite markers; they come in a bewildering variety of stones, some shiny some frosted, in every colour and size you could want. I concentrate on 8mm and 10mm beads for stitch markers; the 8mm beads make a perfect small marker, and the 10mm beads workbeautifully as special end of round markers.
Frosted Snowflake Obsidian is my new favourite gemstone bead. Every stone is different, and the matte frosted finish means that each “snowflake” on the surface of the bead stands out in perfect detail. Both Crochet and Knitting markers are available singly in store now.
Jade is one of the most beautiful gemstones; it has been used in jewellery and carved ornaments for nearly ten thousand years. Jadeite is the most expensive with delicate colouring and semi-translucent appeal, but Nephrite is also rather lovely. Nephrite is found principally in Western Canada, with lesser deposits in China, South-east Asia, New Zealand, and parts of Europe. The colours found in Nephrite range from creamy yellows to dark greens. The beads I use are in the pale to mid green range. They are 10mm in diameter, and make perfect special end-of-round markers. Both Crochet and Knitting markers are available singly in store now.
Rainbow Fluorite is another gemstone that comes in a variety of colours. My favourite combination is the most delicate of pale greens and the loveliest of purples. These colours always remind me of Spring. In the Rainbow Fluorite markers I offer in the shop, I have used 8mm round beads topped with 6mm bicone beads; I try to ensure that one stone is purple and the other green. Both Crochet and Knitting markers are available in store now.
Another beautiful matte gemstone is the Veined Jasper, a new find for me. Again every stone is different, featuring black on white, white on black, and wonderful shades of grey. Both Crochet and Knitting markers are available in store now.
